Folha de S.Paulo, 14. March 2025: [Thierry Fischer’s] work in this repertoire deserves full consideration. He never seeks easy effects: he maintains elegance amid chaos and rejects all excessive violence. He never loses control of phrasing — no matter how complex the interactions between the sections may be — and sound balance is his obsession.

Utah Arts Review, 22. February 2025: The Adagietto, scored for just strings and harp, is undoubtedly the Fifth’s most famous movement, and one of Mahler’s most sublime creations. Fischer coaxed lyrical, expressive playing and delicately crafted phrasing from the string section that underscored the movement’s transcendent beauty (and offered a much needed moment of repose...

Scherzo, January 2025: With Manfred, Fischer offers a lesson in conducting. To the question of how to get people excited with this symphony that seems less inspired than the Fifth or the Pathétique, the answer he offered is multiple: through dramatic intensity; taking advantage of and accentuating the composer’s resources as an orchestrator; of his...